The fruition affected by words
The value of an image
comes out from the relationship between the artwork and the
viewer who finds inside himself, in his inner life, in his
culture and expectations, the sense of what is sour rounding
him, stimulated by the “artifices” created by the artist. The
viewer has the sole interpretative responsibility of the artwork
as his aesthetic experience is neither predictable nor
completely in the hands of the artist. In fact, the idea that
the “visible” has a mathematical and homogeneous dimension,
hence it is independent from the perceiver, has been dismantled
by the discovery of the inconsistencies of the eye: the vision
is an unrepeatable action and the one who observes "produces"
the image that he is watching.
However, I believe that combining my works with phrases, linking
them to a specific moment of my experience, is a significant
clue and an opportunity to arrive to a new meaning able to
change the actual vision.
A method to optimize the perception, to stimulate the
imagination of the observer. A conceptual moment where the
stimulus received by the text creates a strong relationship
between the rational vision and the capability to look over the
The emotion and the reason together are an addiction, the
artefact appears in a new light, as a reflection of a
non-gregarious thought, where the evocative power is able to
model the status of the object enriching it with a quid, not
anymore a simple ornamental accessory, filling the
incompleteness that the viewer feels generally in the
contemporary art: then the artwork extends its boundaries,
giving a frame of the present, interpreting the climate of our
period and witnessing its different souls.